Wave 7: DV-based video cassettes. White paper, 2018.
https://meemoo.be/en/publications/wave-7-dv-based-video-cassettes
IASA Technical Committee, Guidelines for the Preservation of Video Recordings, Co-edited by Carl Fleischhauer and Kevin Bradley. Edition 1, 2018. (= Standards, Recommended Practices and Strategies, IASA-TC 06).
https://www.iasa-web.org/tc06/guidelines-preservation-video-recordings
Deggeller, Kurt und Müller, Peter (Hg.). Film- und Tondokumente im Archiv. Vorträge des 76. Südwestdeutschen Archivtags am 22. und 23. Juni 2016 in Bad Mergentheim. Landesarchiv Baden-Württemberg, Stuttgart 2017.
Bestellung beim Verlag
IASA Technical Committee, Handling and Storage of Audio and Video Carriers, edited by Dietrich Schüller and Albrecht Häfner. First edition 2014. (= Standards, Recommended Practices and Strategies, IASA-TC 05). International Association of Sound and Audiovisual Archives.
https://www.iasa-web.org/handling-storage-tc05
Harvey, Ross and Mahard, Martha R. The Preservation Management Handbook. A 21st-Century Guide for Libraries, Archives, and Museums. Lanham: Rowman and Littlefield, revised 2020.
Cultural heritage professionals – museum curators, museum professionals, archivists and librarians – work with their specialized knowledge to prioritize the needs of their collections. Preservation managers draw on experts in climate control, fire safety, pest management and more in developing the large overview of a collection and its needs. And all the special materials within the collections have their experts too.
Here, in one volume, is a wide range of topic-specific expertise that comprises both an enduring text for preservation students as well as an essential one-stop reference for cultural heritage professionals—particularly those in small- to medium sized organizations where resources are limited and professional help is not always at hand.
The editors introduce the reader to the essential tools and principles of a preservation management program in the twenty-first century, addressing the realities of diverse collections and materials, and embracing the challenges of working with both analog and digital collections.
The sections on planning and managing a preservation program contain the basic starting point for any kind of collection, regardless of size and content. Written with the small collection in mind, the principles are nevertheless scalable and widely applicable.
Gfeller, Johannes, Jarczyk, Agathe und Phillips, Joanna. Kompendium der Bildstörungen beim analogen Video, Scheidegger & Spiess 2013.
Texas Commission on the Arts (Hg.), Videotape Identification and Assessment Guide, 2004.
http://www.arts.texas.gov/wp-content/uploads/2012/04/video.pdf
http://videopreservation.stanford.edu/vid_id/index.html
The American Institute for Conservation of Historic and Artistic Works (AIC) has developed downloadable short guides for caring for you treasures.
Caring for your Home Videotapes: http://www.conservation-us.org/_data/n_0001/resources/live/homevideotape.pdf
http://www.conservation-us.org/index.cfm?fuseaction=Page.ViewPage&PageID=497
Recording principles, storage and handling, maintenance of equipment, format and equipment obsolescence. TAPE, February 2008.
http://www.tape-online.net/docs/audio_and_video_carriers.pdf