Federal Agencies Digital Guidelines Initiative FADGI / Audio-Visual Working Group. Guidelines for Embedding Metadata in Broadcast WAVE Files, Version 3, April 2021.
http://www.digitizationguidelines.gov/guidelines/digitize-embedding.html
FADGI alongside partners at RiceCapades and MediaArea, worked with colleagues across the digital preservation community on the revision of the “Guidelines for Embedding Metadata in Broadcast WAVE Files” (version 3) and corresponding updates to the open source BWF MetaEdit application which are now available.
The 2021 FADGI Guidelines reflect the evolving needs of a wide range of audio preservation practitioners as identified through user interviews and community feedback from collaborators at Library of Congress’ National Audio-Visual Conservation Center, Smithsonian’s Center for Folklife and Cultural Heritage, public radio station WNYC and Northeast Document Conservation Center’s Audio Preservation Services.
All digitization guidelines:
http://www.digitizationguidelines.gov/guidelines/
Marketing, communication, documentation, patrimoine… Les images fixes ou animées sont au coeur de nombreux métiers. A travers les multiples écrans, ce sont souvent elles qui font le lien entre l’utilisateur et le fournisseur d’un contenu, d’un service, d’un produit. Si le numérique les rend faciles à produire et à stocker, leur gestion, les droits associés, leur valorisation, leur partage et leur archivage ne vont pas de soi. Des solutions logicielles permettent de répondre à ces impératifs : gestion de photothèque et digital asset management (Dam). Avec méthodes et conseils d’experts.
https://www.archimag.com/le-kiosque/guides-pratiques/gp-66/gerer-valoriser-ressources-multimedia/PDF
In order to promote and support the responsible and trustworthy management of the Library’s vast digital collections, the Digital Collections and Management Services (DCMS) Division of the Library of Congress works to identify, collocate, document, and coordinate guidance across the Library’s various departments of collection custodians. Guidance may be developed from policies, guidelines, best practices, and specifications that govern the Library’s digital collection management activities. These pages present the resulting product of this coordinative work: the Digital Collections Management Compendium (DCMC).
Digital Formats
Learn about the Library’s approach to managing digital file formats over time.
Inventory and Custody
Learn about how the Library inventories and allocates custodial responsibilities for digital content.
Access
Learn about the Library’s approaches to providing access to digital collection content.
https://www.loc.gov/programs/digital-collections-management/about-this-program/
David Underdown and Leontien Talboom, The National Archives UK, 8.7.2019
https://dpconline.org/blog/access-what-we-are-preserving
IASA Technical Committee, Guidelines for the Preservation of Video Recordings, Co-edited by Carl Fleischhauer and Kevin Bradley. Edition 1, 2018. (= Standards, Recommended Practices and Strategies, IASA-TC 06).
https://www.iasa-web.org/tc06/guidelines-preservation-video-recordings
Federal Agencies Digital Guidelines Initiative FADGI / Audio-Visual Working Group. Creating and Archiving Born Digital Video. December 2014.
http://www.digitizationguidelines.gov/guidelines/video_bornDigital.html?loclr=blogsig
The documents that comprise Creating and Archiving Born Digital Video provide practical technical information for both file creators and file archivists to help them make informed decisions when creating or archiving born digital video files and to understand the long term consequences of those decisions.
Part 1. Introduction
Part 2. Eight Federal Case Histories
Part 3. High Level Recommended Practices
Part 4. Resource Guide
Forum – Das Fachmagazin des Bundesarchivs Deutschland
Ausgabe 2016 – Schwerpunktthema «Filmarchivierung im Digitalen Zeitalter»
https://www.bundesarchiv.de/DE/Content/Publikationen/Forum/forum-2016.pdf?__blob=publicationFile
Inhalt:
– Das Bundesarchiv und die Sicherung des nationalen Filmerbes (M. Hollmann)
– Nationales Filmerbe, nationale Aufgaben: Sammeln, Bewahren, Erschließen, Präsentieren, Vermitteln (R. Rother)
– Filmarchivierung Digital – Ziele und praktische Rahmenbedingungen beim Wechsel von analoger zu digitaler Archivierung (K. Griep)
– Die Rolle des Bundesarchivs als Teil der kulturellen Filmförderung. Versuch einer Standortbestimmung (B. Heusterberg)
– Der Medienwechsel analog zu digital in der Filmproduktion und seine Auswirkungen auf die Archivierungsstrategie des Bundesarchivs (E. Koppe)
– Film digitization – LAC’s perspective two years in (D. Smalley)
– BASYS 3-Film – Die Entwicklung einer neuen Archivverwaltungssoftware für Filme im Bundesarchiv (S. Gleixner / F. Aufmhoff)
– Die Filmothek des Bundesarchivs: Chancen und Grenzen digitaler Filmbenutzung im Internet – Ein Praxisbericht (A. Souhr-Könighaus)
– Für eine “Schule des Sehens”: Archivische Aspekte einer modernen Filmwissenschaft (C. Dillmann)
nestor-materialien 19
verfasst und herausgegeben von der nestor-Arbeitsgruppe Media, Frankfurt am Main 2016
urn:nbn:de:0008-2016102107
http://files.dnb.de/nestor/materialien/nestor_mat_19.pdf
The Open Preservation Foundation sustains technology and knowledge for the long-term management of digital cultural heritage.
The aim of the Guidelines is to provide an overarching starting point for libraries, archives, museums and other heritage institutions when drafting their own policies on the selection of digital heritage for long-term sustainable digital preservation.
The UNESCO/PERSIST Guidelines for the selection of digital heritage for long-term preservation, march 2016
http://www.ifla.org/node/10315
Download
English: http://www.ifla.org/files/assets/hq/topics/cultural-heritage/documents/persist-content-guidelines.pdf
Français: http://www.ifla.org/files/assets/hq/topics/cultural-heritage/documents/persist_selection_guidelines_fr.pdf